Visualisation

Image showing three stages of facial reconstruction: a skull on the left, a blend of skull and facial features in the middle, and a realistic face on the right.

Historical scene depicting a group of people in period clothing gathered outdoors. Some individuals are holding spears and wearing armor, while others have children. Horses are in the background. The ground is scattered with hay and wooden wheels. The image has a vintage, illustrated style.

Ancient gold artifacts and chains on a riverbed with water above, showing reflections of figures in a dynamic arrangement, suggesting an underwater archaeological scene.

Our visualisations start with a brief about an event or cultural process that we are asked to communicate and bring to life.

A group of people in Roman period style clothing gather around a deceased woman, wrapped in a shroud. Hands hold various objects, including jewelry and a blue glass jar. The background features an ancient cityscape under a dramatic sky.

Above: Illustrations showing a high-status female discovered in Roman York, thought to be of North African origin. The images have appeared widely in the media and are displayed in the Yorkshire Museum. Commissioned by the University of Reading.

Above: An illustration showing Iron Age votive offerings being made to Llyn Cerrig Bach, a lake on the Isle of Anglesey. The image has been used for on-site interpretation. Commissioned by Cadw.

Above: A recreation of the Iron Age chariot burial at Wetwang Slack in Yorkshire. The image has been featured in publications. Commissioned by the University of Manchester.

Reconstruction

We are presented with archaeological evidence which provides information about buildings and structures from which we develop possible reconstructed scenarios. This process allows for academic appraisal of how the site may have been used. When an approach has been agreed the reconstruction is developed, placed in an accurate topographic setting and ‘populated’ to depict the people and location at a time in history.

Illustration of a Neolithic passage tomb with people holding torches at sunset.

Piercebridge, near Darlington- Beneath where the bridge stood, 3,600 Roman objects were found. Our job was to interpret and visualise how the bridge may have looked and been used.

Above: Nether Largie South, a Neolithic chambered cairn in Kilmartin Glen, Scotland. The image features in an on-site information panel. Commissioned by Historic Environment Scotland.

Reconstruction illustration of Kilmory medieval village with stone houses, thatched roofs, and smoke rising from chimneys.

Above: This reconstruction of the now ruinous village of Kilmory Oib, Scotland, was used as part of the on-site interpretation. Commissioned by Kilmartin Museum.

Photography

Creative landscape and architectural photography plus on-site or studio-based artefact and archival services.

Silhouette of standing stones at sunset with mist and clear sky

3D Photogrammetry- we also produce cost-effective digital models of artefacts and structures.

Collection of ancient bronze tools and weapons on a dark background

3D model of ancient rock art with carvings of concentric circles and spiral patterns on a stone surface.

Moving Image

Productions have been commissioned for research projects, education, delivery via the internet and screening in museums and commercial venues. When required, we design and install auditorium, display housings and multi-screen based exhibitions.

To view full screen, click the small < on the right of each thumbnail image to show the controls.

3D environments and animation chronicling the life of a young stone mason who worked on York Minster in the Middle Ages. The story is based on archaeological evidence.

An introductory trailer to the Dalriada Project fieldwork and excavation findings. Exhibited at Kilmartin Museum.

An innovative film exploring methods of archaeological visualisation, factual representation and interpretation, focused upon Neolithic Orkney. Exhibited on-site at Skara Brae and the Pier Arts Centre, Stromness. Supported by Historic Scotland.

A narrated virtual cavern tour for visitors who are not able to take the tour themselves. The film is on permanent show at the Heights of Abraham heritage attraction in Derbyshire.

Installations

Site specific installations create a focal point and venue within the landscape or at a specific location. From a single information panel to a purpose built venue we combine creative solutions to make a visual statement and provide scope for a variety of uses: ie. classroom, demonstation area, meeting point etc.

The Heights of Abraham Woodland Corner pavilion with educational signs about woodland habitat and management.

Woodland Corner- a space developed as a classroom, events space and exhibition about the woodlands within the estate of the Heights of Abraham, in the Derbyshire Peak District. All aspects of the design, production and project managment were undertaken by Monumental.

Kilmartin Eye focal point structure, commisioned by Kilmartin Museum. Colorful abstract outdoor artwork on wooden panels surrounded by trees and grass.

Illustration of the Kilmartin Eye, a circular timber enclosure with translucent polycarbonate panels displaying prehistoric landscape art. Includes visitor entrance and text descriptions of the installation's purpose at Kilmartin House Museum, dated May 2007.

The Kilmartin Eye concept and development.

The Heights of Abraham, Ticker's Shaft viewing platform overlooking High Tor and the gorge

The ‘Eye’ created a modern interpretive focal point above Kilmartin Museum and the glen where Neolithic and Bronze Age monuments can be found.

Tinkers Shaft- a destination within the SSSI on the hillside above the Heights of Abraham estate.

Graphic panels provide information about the location, the SSSI and its industrial past.

Design for print

A woman viewing an exhibit with several informational panels in a museum setting. The panels feature images and texts about historical and architectural topics, including stained glass, a church interior, and lona Abbey.

Our graphic design service combines other creative processes: illustration, photography etc. for the production of information display panels, posters, guidebooks, field and walking guides etc.

We are also happy to take commissions for the development of retail products and publications.

The Heights of Abraham. Infographic about Masson Hill Ancient Woodland, including its significance, characteristics, and location. It describes ancient woodlands, their importance, natural aspects of Masson Hill, and differences in woodland sites.

A collection of publications, including 'In the Footsteps of Kings,' 'Kilmartin Eye,' 'The Heights of Abraham,' and a digital magazine titled 'Portfolio.'

Collage of promotional materials for Kilmartin Museum, showcasing banners, leaflets, signage, and advertisements for various projects and exhibits.

Infographic titled 'Plant Hunters of the 18th & 19th Centuries' featuring a world map highlighting plant exploration sites. Includes historical paintings, and a list of plant names with numbers corresponding to map locations. Text describes botanical expeditions during the Age of Enlightenment.

From a graphic panel, to the design and publishing of books.